Apr 8, 2019
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Experiments 19: Trivial Pursuit

Written by Yael Haskal
Directed by Irene Lazaridis

a black arrow pointing downward

Trivial Pursuit is a love story set in the throes of the current opioid epidemic, where life and death are a numbers game.

Cast:
Samantha Rago
Noah Anderson
Scott Gordon
Yvette Segan
Norah Elise Johnson
Jack Eubanks

Yael Haskal is a playwright and performer based in New York. Her work has been performed at La MaMa Experimental Theatre Club, the Midtown International Theatre Festival, G45 Productions (NYC); the Ivoryton Playhouse, Trinity College, the Warner Theatre (CT); Theatre Simpson (IN); the InspiraTO Festival (Toronto, CA); and other venues across the U.S. She is the winner of the Marilyn Swartz Seven ’69 Playwriting Award, and the creator of the comedic webseries “Fun Moms!” Yael will graduate from Vassar College with a B.A. in Drama and English in 2019, and is a proud member of the New York Neo-Futurists. www.yaelhaskal.com.

Irene Lazaridis is a director/deviser, experiential designer, and producer born and based in Astoria, Queens. She has led dozens of theatrical productions and multi-disciplinary happenings throughout New York City and has been the assistant director to Mikhael Tara Garver on several experiential projects. Irene has directed theatrical productions at the Tank, Paradise Factory, IRT Theater, the Baumann, Robert Moss Theater, Tisch Studio Theater, and the Stella Adler Studio. She has been an associate artist with the Phoenix Theater Ensemble, the Triple 9 Festival, G45 Productions,  Playwrights Downtown, and Waterwell. Currently, Irene is the Associate Experiential Director at Super Awesome Friends and Head of Creative Projects at 13EXP. She is also the co-founder and artistic director of Make/Shift, a community that fosters makers in the shift from muse to making. She received her BFA in Drama at NYU/Tisch.

The show is produced under the following program(s):

Experiments Play Reading Series

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Now accepting submissions! For the 21st season of La MaMa Experiments we will focus on theatre-makers working outside the American experience. Whether it’s plays about navigating the UK’s National Health Service or escaping an arranged marriage in India’s upperclass society, each month during our season we will present works in progress that explore universal themes set in frameworks foreign to most Americans.

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