Apr 24, 2021
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Channel 3.14 | Manhattan Love Suicide

Yoshiko Chuma & The School of Hard Knocks

a black arrow pointing downward

​A brand new TV Show presented by The School of Hard Knocks, Channel 3.14 is a monthly TV program and continuous laboratory conceived, created and performed by The School of Hard Knocks. Assembling a mosaic of films, dance, music, visual art, and narratives, Channel 3.14 will enable artists to explore their ideas and communicate to diverse artists and members of the community, over the world wide pandemic situation and the huge shift happening in performing arts world since March 2020.

​Channel 3.14 has featured 10 regular cast of performers who live in NYC within the time-frame of one hour. Covering The School of Hard Knocks’ more than 40 years of Journey in NYC, each artist investigates ideas of national security, perceived dangers within borders, immigration, and war.

Headshot of Agnė Auželytė

Agnė Auželytė (she/her, 1991) is a Lithuanian-born dance-maker and interdisciplinary performing artist based between Amsterdam and Berlin. She studied Contemporary Dance at The Scottish School of Contemporary Dance (2010-2012), and is currently continuing her studies in choreography at SNDO (School for New Dance Development) in Amsterdam. Auželytė has been performing with Yoshiko Chuma and The School of Hard Knocks (New York) since 2014, and has contributed to works by Hana Lee Erdman and Allison Lorenzen, Kata Kovács and Tom O’Doherty, Kathleen Hermesdorf, and others. She has presented solo works-in-progress at Künstlerhaus Bethanien, Ponderosa Tanzland Festival, Project Space Festival Berlin, and P.O.R.C.H. Extended. Her most recent work — the performance series UNDONE, exploring the idea of embodied sounds in collaboration with Amsterdam-based musician Stephen Doyle — has been supported by Lake Studios Berlin as well as ada studios in the frame of the NAH DRAN Extended performance series (2019). Currently, Auželytė is busy with research for her latest choreographic work, Ana Chrona: Ten Years of Dance Fiction, in collaboration with Ula Liagaitė. Her texts, co-created with Shelley Etkin (Vagittarius Rising), have been published by COVEN Berlin and HYSTERIA magazine. This duo has also presented live performance works at nGbK Berlin, 3AM at Flutgraben, GlogauAIR Berlin, Government Museum and Art Gallery of Chandigarh (India), FRESH Festival (USA), and others. She is a member of the experimental sound projects Otolitos, VROUW!, and Dragons/Doyle, as well as creating sonic solo work under the name Dragons. She is a recipient of the Individual Artist Grant in 2020 from the Lithuanian Council for Culture.

Headshot of Yoshiko Chuma

Cutting-edge choreographer/director/instigator/movement-explorer/performer, Yoshiko Chuma continues a lifetime obsession with the mythology of danger. Landing in New York in 1976, Chuma settled in lower downtown Manhattan, labelled as a dangerous place to be at the time. Devoid of the culture and inflation you see before you now, Yoshiko managed to begin her career in lower Manhattan, spanning an impressive 40 year career to date. Creating over 100 productions, including company works, commissions and site-specific events, Chuma is constantly challenging the notion of performance for both audience and participants. Crossing physical and metaphorical borders along the way, quite literally, Chuma has placed herself in danger’s way for the sake of art.

Headshot of Ginger Dolden

Ginger Dolden is a multi-instrumentalist, recording artist, and teaching artist based in Brooklyn New York. Recently, she been seen live on Jimmy Kimmel Live!, Last Call with Carson Daly and has performed at Roulette, Issue Project Room, The Whitney Museum of American Art, The Ace Hotel, La MaMa, Joe’s Pub, Jalopy, Barbés, and The American Folk Art Museum. She has worked and recorded with artists including: Anthony Braxton, John Cale, Anthony Coleman, Yoshiko Chuma, Tony Conrad, Holly Miranda, Durand Jones and the Indications, The Hot Sardines and performs with The String Orchestra of Brooklyn and The Chelsea Symphony.

Headshot of Mizuho Kappa

Mizuho Kappa started her dance training at the age of 3 with Ballet. Around the same time she fell in love with the mysterious world of small creatures on the ground. This enthusiasm for insects has led her to be immersed in Biology and Entomology for all her life. For the purpose of local ecological observation, she has traveled many countries including Malaysia, Brunei, Vietnam, Cambodia, Myanmar, Sri Lanka, Namibia, Tanzania and Oman. Besides that, she worked as a Creative Planner of Space Branding and Experience Design Division at the Marketing Company in Japan. In 2018, she moved to NY in hopes of finding a way to integrate and express her random and chaotic life experiences.

Headshot of Ryan Leach

Ryan Leach (he/him) is a New York based actor, writer and comedian originally from Virginia. Film credits include We Demand (Berlinale 2016, BAM), Little Men (Sundance) and The Ducks Migration (OUTFest, Queer Lisboa). Television credits include Comedy Central’s The Other Two and At Home With Amy Sedaris on TruTV. He has performed at La MaMa, HERE Arts Center, Ars Nova, Dixon Place and the New York International Fringe Festival. His comedy can be seen at Broadway Comedy Club, MTV News, StandUp NY, Littlefield, Union Hall, The Bell House, Upright Citizens Brigade, Caveat and more. He is proud to be a co-founder of Awf Magazine — the first online LGBTQ+ satire publication. Photo by Arin Sang-urai

The show is produced under the following program(s):

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Presented by La MaMa and CultureHub, La MaMa is exploring ways to respond creatively to a situation that is potentially changing how we gather as a community in our theatres. La MaMa is working with CultureHub to provide online streaming of select productions and events on Howlround Theatre Commons.

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