During the two two-week sessions, directors will take workshops with distinguished, internationally renowned directors, visit Spoleto and other Umbrian cultural sites. Accommodation, meals, and local transport are included in the fee.
Session 1: July 17 – 31
Theatre-Making Today: Techniques for Devising and Adaptation
Session 2: August 2 – 16
Theatre and Conflict Transformation: Civil Engagement Through Theatre Practice
For details of the Workshops being offered and bios of the Artists, please click on the Credits tab above.
ABOUT LA MAMA UMBRIA DIRECTORS' SYMPOSIUM
A training program for professional directors, choreographers, actors and others. Internationally renowned theatre artists conduct workshops and lecture/demonstrations. During the Symposium, participants will travel to Umbrian towns such as Orvieto, Perugia or Assisi to get a taste of Umbrian art and culture. Performances at local arts festivals and community fairs are also included. In addition, participating directors may conduct their own workshops to share insights and techniques with their colleagues.
Participants will be exposed to a variety of theatrical perspectives during the Symposium, from instructors who will expand their sense of what is possible in the theatre. Directors attending the Symposium see how prominent artists on the international scene create their unique productions. The workshops are participatory, and it is expected that all attendees will engage actively in the processes of the various teaching artists.
EXCURSIONS: While most of the time will be spent in workshops at La MaMa Umbria, at least one day has been set aside for excursions to nearby cities. We will attend at least one performance event at a local arts festival. There may also be opportunities to see additional performances on an ad hoc basis. The group will visit nearby towns such as Perugia, Umbria’s capital, Deruta, famous for ceramics painted by hand or Assisi, to see the famous Cathedral of St. Francis, Orvieto, etc. In addition, we will share an Italian tradition, a sagra, or community celebration of the specialties produced by small Umbrian villages (such as truffles, olive oil and wine.)
EXTRA WORKSHOPS: In addition to our internationally renowned guest teaching artists, there will be an opportunity for you and your colleagues to share exercises and techniques with each other in late night sessions. You may propose a special workshop to offer in one of the late (after dinner) sessions. Use the space on the registration form to describe what you would share. Not all proposals will be accepted based on time and space availability.
Many of our international artists cannot afford to make the trip to Umbria. On our 23rd anniversary, we are offering scholarships to disadvantaged artists from countries that have had little to no representation in our residency programs. It costs approximately $5,000 for the entire trip, which includes admission fee, accommodation, meals, workshops, and international travel for one participant. All donations will help us achieve this goal.
La MaMa Umbria Symposium and Retreat FAQ
How is it decided who will be accepted into the Programs?
The applications are considered on the basis of the responses to the questions on the Application Form: why is this Program appropriate for you and what do you hope to get out of it? Once the Application has been vetted, and approved, the participants will be selected on a first-come, first-served basis. If the Program is filled up, there is a Waiting List you can join.
How does the Waiting List work?
If a Program fills up, we will let you know and put you on the Wait List. If someone drops out, we will go to the next person on the List and offer them that spot. This could happen any time up to a week prior to the start of the Program. If you decide not to wait, please let us know and we will remove your name from the List.
How do I apply for a Scholarship?
Write an email to email@example.com requesting a scholarship. Let us know which program you are interested in. Most scholarships cover part of the fees. Please explain why you need the assistance and the minimum you would need to make your participation possible.
Should I wait until I have been accepted prior to sending in my deposit?
You can wait until you receive an acceptance letter, but we will not reserve your spot until we receive your deposit. If you send your deposit and are not accepted, you will receive a full refund (except for credit card fees.)
What is the Application deadline for the Playwright and Directing programs?
The deadline is May 15th, but the Programs could fill up prior to that date. Please check with us to see if there is still space. We will have a waiting list for those who wish to wait to see if someone who applied decides not to attend. If you pay the Deposit by May 15th and we are not yet full, we will hold your spot.
If I pay the Deposit and find that I cannot attend, willI get a refund?
You will get a full refund if you cancel by May 15th, except for the credit card fee.
When is the Full Payment due?
Full payment is due by June 1st.
If I pay the Full Payment and then I find I cannot come, will I get a Refund?
You will get a Full Refund (except for Credit Card charges) if we have a Waiting List and we can find someone to take your spot. If not, you will get a 50% Refund if you let us know by June 15th. After June 15th, there are no Refunds.
Is there a way to pay where I won’t incur Credit Card charges?
Yes, you can pay by check, made out to La MaMa ETC and mailed to: La MaMa ETC, Umbria Programs, 66 East Fourth Street, New York, NY 10003, USA. There are no additional fees. You can also pay by bank transfer or Zelle. There are not additional fees to us, but your bank may charge you a fee.
Next Generation: New Performance Incubator
August 30 – September 13, 2024
Session 1: July 17-July 31
Theatre-Making Today:Techniques for Devising and Adaptation
Viewpoints and Composition: Devising Tools with Anne Bogart
Bogart will focus on new and traditional methods of working with the Viewpoints when approaching an adaptation or devising original work. The work will invite participants to discover new methods for mining material, collaborating spontaneously and intuitively, and generating bold, theatrical work.
One of the three Co-Artistic Directors of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992 and closed in 2022. She is a Professor at Columbia University where she runs the Graduate Directing Program. Works with SITI include FALLING& LOVING, The Bacchae, Chess Match No. 5; Lost in the Stars; Persians; Steel Hammer; ARite; Café Variations; Trojan Women (After Euripides); American Document; Antigone; Under Construction; Freshwater; Who Do You Think You Are; Radio Macbeth; Hotel Cassiopeia; Death and the Ploughman; La Dispute; Score; bobrauschenbergamerica; Room; War of the Worlds–the Radio Play; Cabin Pressure; Alice’s Adventures; Culture of Desire; Bob; Going,Going, Gone; Small Lives/Big Dreams; The Medium; Noel Coward’s Hay Fever and Private Lives; August Strindberg’s Miss Julie; and Charles Mee’s Orestes. Recent operas include The Handmaid’s Tale, Handel’s Alcina, Dvorak’s Dimitrij, Verdi’s Macbeth, Bellini’s Norma and Bizet’s Carmen. She is the author of six books: The Art of Resonance, A Director Prepares; The Viewpoints Book; And Then, You Act; Conversations with Anne; and What’s the Story.
Autofiction: a reading of the paradox of being and not being with Sergio Blanco
Sergio Blanco’s work centrally investigates the possibilities and limits of autofiction (the relationships between self-biography and fiction) on stage.
La MaMa Umbria International
La MaMa Umbria International provides artists from around the world with residency programs and intensive workshops. For nearly 20 years, La MaMa Umbria has fostered cross-cultural and international exchanges and creative collaborations. Hundreds of artists have found Umbria to be a space that is beautiful, spiritually enriching, welcoming, and open to bold artistic experiments.