In this darkly whimsical tale about Anton Chekhov, marriage, and consumption, Chekhov is writing his Three Sisters, the characters of which long for Moscow as Chekhov himself avoids it, and his engagement to Olga Knipper – lead actress of the Moscow Art Theatre. As Chekhov is dying of consumption, he wonders: Why would a healthy woman attach herself to a fading man? Why is a fading man avoiding the woman who loves him? Why are servants the only ones to trust? And do horses in 19 th Century Russia really talk?
| Anton: Gabriel Sloyer | Ferapont: Teddy Cañez | Anfisa: Adriana Sananes |
| Masha: Christina Pumariega | Olga: Flor De Liz Perez | Ensemble: Jose Joaquin Perez |
MIGDALIA CRUZ is an awardwinning playwright, lyricist, translator, and librettist of more than 55 works including: El Grito Del Bronx, Salt, Lucy Loves Me, Fur, Miriam’s Flowers, Frida, and Lolita de Lares; produced in the U.S. & abroad in venues such as BAM, CSC, Mabou Mines, National Theater of Greece/Athens, Old Red Lion/London, Houston Grand Opera, Ateneo Puertorriqueño, Teatro Vista, CollaborAction, and Latino Chicago Theater Company, where she was a writerinresidence. An alumna of New Dramatists, she was named the 2013 Helen Merrill Distinguished Playwright, and was nurtured by Sundance, the Lark’s México/US Word Exchange, and by Maria Irene Fornés at INTAR. Migdalia was born in the Bronx where she wrote her first play at age 6.
For Experiments 16: New Century Female Dramatists, curators Jessica Hagedorn & John Jesurun have invited four New York based female playwrights to present a concert style reading of a new work in progress. The four writers represent a cross section of New York’s population, and each work brings a unique perspective on contemporary relationships, attachments, and identities.
Experiments Play Reading Series
Now accepting submissions! For the 21st season of La MaMa Experiments we will focus on theatre-makers working outside the American experience. Whether it’s plays about navigating the UK’s National Health Service or escaping an arranged marriage in India’s upperclass society, each month during our season we will present works in progress that explore universal themes set in frameworks foreign to most Americans.