Now Playing at La MaMa Theatres

66 E 4th St

From the Other Side, Balkan Showcase – December 3-14

From The Other Side, Reimagining Theatre from the Balkans, Edition 1.0, a unique undertaking , this showcase will consist of two theatre performances, staged readings, and conversations and discussions, and video presentations of five theatre productions, offering insights into the artistic and thematic performing arts landscape of the Balkans.

66 E 4th St

They Are All Gone (Balkan Showcase) – December 4-7

This play examines the position of all of us in the audience—how we understand and relate to those who survived the genocide in Srebrenica. It is the artistic way of questioning and trying to understand the fates and consequences of the wars that took place across the former Yugoslavia.

66 E 4th St

Things That Burn Easily (Balkan Showcase) – December 11-14

Things That Burn Easily narrates a story of about family living on a modest piece of land affected by a catastrophe. Some of them believe that they have been wronged by irreparable injustice and that a system that will compensate for some of the consequences of it should exist.

74A E 4th St

Silent Green – December 4-7

Enter the wild wonder of Silent Green—a spellbinding mix of music, dance, and puppetry that pulses with nature’s heartbeat. Feel, move, reconnect, and awaken.

74A E 4th St

Protest Song – December 4-21

David Nellist stars in Protest Song by Tim Price—a raw, urgent, darkly funny portrait of a homeless man caught in the Occupy London movement.

66 E 4th St

Oklahoma Samovar – December 5-21

Oklahoma Samovar celebrates the American immigrant experience by examining the shifting identity, traditions, and culture clashes that shape five generations of a Jewish family.

74A E 4th St

Experiments: Carpal Tunnel – December 8

It’s the vaguely present day in the year 20XX and master-of-the-novel Manna Benes wants you to meet her at the Roxbury Motel. Is this the worst thing that ever happened to you? Or is that writer’s block? A passion play and a family play and a tragicomedy and a history play and a surrealist play and a transgressive novel and an ekphrastic poem and a children’s book and a meditation on dance and a dance on meditation and an instruction manual and a coupon book and a pornographic magazine and a holy text. And a love story.

74A E 4th St

DALUYONG: A Fundraiser Evening of Art & Action for Disaster Victims – December 10

A Climate Justice production of Association of Filipino Scientists in America and Kinding Sindaw
Presented by La MaMa, ETC
In response to Typhoons Tino and Uwan that devastated the Philippines in November 2025
Organized by Association of Filipino Scientists in America (AFSA) and Kinding Sindaw
All proceeds benefit Alibyo Cebu – Ayuda Network

66 E 4th St

Birth + Carnage – December 19-21

Birth + Carnage, a work by Marla Phelan, merges choreography and astrophysics– transforming computational simulations of stellar birth into visceral metaphor, digital landscape, and choreographic framework.

74A E 4th St

Christmas In Nickyland – December 22-23

Birth + Carnage, a work by Marla Phelan, merges choreography and astrophysics– transforming computational simulations of stellar birth into visceral metaphor, digital landscape, and choreographic framework.

74A E 4th St

The Ford/Hill Project – January 7-11

30 years apart, Anita Hill and Christine Blasey Ford provoked a reckoning about who is given the power to shape the future of our country by telling the story of one of the most private moments of their lives in one of the most public settings imaginable. With an ensemble of four actors speaking from the verbatim transcripts of these pivotal hearings, these two women’s stories can be seen side by side in a new light in Waterwell’s illuminating production.

66 E 4th St

The Rest Of Our Lives – January 7-17

Socratic dialogue, psychiatric intake exam, dance/movement, and literary adaptation—The (Un)Double, inspired by Dostoevsky’s The Double—dissects the violence of narrative.
Company: The Useless Room, based in Los Angeles, CA, run by Gema Galiana (Spain) and Anthony Nikolchev (USA). Recently featured at the 2025 Venice Biennale Teatro.

66 E 4th St

PRECIPICE – January 8 – 11

Socratic dialogue, psychiatric intake exam, dance/movement, and literary adaptation—The (Un)Double, inspired by Dostoevsky’s The Double—dissects the violence of narrative.
Company: The Useless Room, based in Los Angeles, CA, run by Gema Galiana (Spain) and Anthony Nikolchev (USA). Recently featured at the 2025 Venice Biennale Teatro.

66 E 4th St

12 Last Songs – January 17

Socratic dialogue, psychiatric intake exam, dance/movement, and literary adaptation—The (Un)Double, inspired by Dostoevsky’s The Double—dissects the violence of narrative.
Company: The Useless Room, based in Los Angeles, CA, run by Gema Galiana (Spain) and Anthony Nikolchev (USA). Recently featured at the 2025 Venice Biennale Teatro.

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