David Nellist stars in Protest Song by Tim Price—a raw, urgent, darkly funny portrait of a homeless man caught in the Occupy London movement.
A Climate Justice production of Association of Filipino Scientists in America and Kinding Sindaw Presented by La MaMa, ETC In response to Typhoons Tino and Uwan that devastated the Philippines in November 2025 Organized by Association of Filipino Scientists in America (AFSA) and Kinding Sindaw All proceeds benefit Alibyo Cebu - Ayuda Network
Join the La MaMa Family for a joyful, high-spirited End of Year celebration like no other! This vibrant performance brings together the heart and soul of La MaMa’s resident artists in a dazzling blend of puppetry, storytelling, dance, music, and theatre. It’s a whimsical, all-ages holiday spectacular that will warm your heart and spark your imagination. Gather your loved ones and get ready to be delighted—everyone’s invited to the magic!
On Monday, 12/15/25 at 7:00 PM at La Mama in the Community Space, join us for this special one night only reading and celebration of the 25th Anniversary of “Boys Don’t Wear Lipstick!” Written and performed by Brian Belovitch, along with Jenne Vath he will revise his role in this 2000 GLAAD Media Award nominated play for Outstanding Broadway/Off- Broadway Production. It has been described as a journey from boyhood to manhood – by way of a 15-year detour through womanhood. Belovitch who
Care Café is a public or domestic place for people to gather - their wits, thoughts and comrades in action. It is a temporary venue for communitas, conversation and activity within a spoken and visible frame of ‘care’.
30 years apart, Anita Hill and Christine Blasey Ford provoked a reckoning about who is given the power to shape the future of our country by telling the story of one of the most private moments of their lives in one of the most public settings imaginable. With an ensemble of four actors speaking from the verbatim transcripts of these pivotal hearings, these two women’s stories can be seen side by side in a new light in Waterwell’s illuminating production.
La MaMa Kids: The Sweet Tales of Piloncillo and Tejocote / Adventures in the Mexican Candy Factory. An endearing puppet show about brotherhood, friendship, and sweet treats.
Step into a world of dance, theatre, and music—designed for children 3+ and the grown-ups who love them. A performance created for you and every real or imaginary being you might bring. Friends, families, newcomers… everyone belongs here. Kim Ima is a theater maker, writer, baker and community events enthusiast. Longtime member of the Great Jones Rep. She is the author of the cookbook, The Treats Truck Baking Book, published by HarperCollins.
"Mia M.I.A." is a science fiction fairytale about grief, love, the role of imagination in healing, and the transformative power of embracing the shadows.
To escape execution by a vengeful king, Scheherazade, the most brilliant storyteller in the world, weaves a tapestry of tales for a thousand and one nights, each story buying her another dawn.
Dan Safer and Tony Torn made the wildly acclaimed “Ubu Sings Ubu”. They have been referred to as “Off Off Broadway luminaries” by the New York Times but have not won any awards.
A new interactive, experiential theater work that explores the challenges, moments of humor, and unexpected losses and victories that arise when dementia impacts individuals, families, and communities. Memory Generation is part of the first year of Pink Fang (formerly Ping Chong and Company), a home for daring experimentation, expanding the boundaries of theater and nurturing creative communities of care.
A Nitwit son, A Revolutionary Daughter, Not-too-butch-for-primetime Generals, A Put-upon Wife, Exhausted Servants, Air-filled-Lovers, and Mad-As-Hell-Citizenry threaten to tear down the palace of McManus (King of all he surveys in-his-boxer-shorts). Randy Neale’s McManus: Fall of a Tyrant is a scathingly funny socio-political satire hell bent on “giving” (as the kids say) some catharsis to those damn beleaguered lefties!
The Life and Times of Daisy Forbes is a long-form lip-sync illustrating a show girl, our last show girl who is at a distinct crossroads in her life. A crossroads where she is forced to make the decision of whether or not to continue pushing the rock up the hill as a performer and human being in this world. Via TV interviews, trashy pop, obscure musical theater scores and film scenes, Daisy channels these voices as a means of excavating the choices she has made, the feeling of abandonment and the
Riding on the huge success of Lucky FM at La MaMa E.T.C. last season, Slant returns to The Club to dig deeper into the liminal space between past and present with Lucky FM 2. Through the underground radio station's telethon portal, Slant journeys through AANHPI histories with bamboo flutes, drums, and guitars telling stories of the Japanese American concentration camps, the International Hotel, Vincent Chin, and today. Performed viscerally through music, dance, drama, and humor, Slant finds unit
In “The Last Play in Gaza” two actors attempt to reconstruct The Emigrants by Sławomir Mrożek, performed in Gaza just before the war. Genocide testimonies punctuate their work as they confront erasure and exile.
