My family first came to New York City in the late 1800’s from Virginia and bought a house in Brooklyn and raised four generations. This story is about my family blood flow that is here on this land of New York City.
Moscow, 2022. Colliding with the outbreak of the Ukrainian war, a theater director’s staging of The Seagull is irrevocably compromised… but that’s just the beginning.
Three immigrants from different parts of Latin America share a small apartment in NYC. On their hidden rooftop, they discover the farewell letter from Antonio, a former tenant.
H.T. Chen & Dancers, presenting two signature works, Opening the Gate and Mott Street.
NO RESERVATION is about global goddesses who have been underground for centuries and now rise up, sensing the urgency of their presence ‘at the table’.
Countries are made of laws, and laws are made of words. So are plays. How strange.
An immersive opera/play/Passover seder, based on the oldest known Jewish play, written in Alexandria in the second century BCE by Ezekiel the Tragedien.
The Magic of Light interweaves puppetry, language, music and poetry to illustrate the cultural and spiritual awakening of an artist in the 1870s in Ukraine.
A dark comic romp bursting with puppets, high anxiety, and dubious life lessons, Metamorphoses is a brand-new play crafted by Dmitry Krymov and his NYC Lab.
Infinity is an intimate exploration of the searing complexities of love, change, parenting, and being parented.
Aging ‘90s heartthrob Brodie and his middle-aged girl band, The Swallows, are preparing to film a music video in their crumbling Valley McMansion when a buried secret threatens their fragile existence.
Sur, a new play based on the short story by Ursula K. Le Guin, follows the expedition of nine women who, in 1909, travel in secret to Antarctica and the South Pole, transforming the theater into a living breathing world of icebergs, glaciers, blizzards, and horizonless expanses.
