A puppet-theater production of Martin Halpern’s
chamber opera Odysseus and Ajax, with puppets created by Tom Lee.
The musical ensemble includes soprano Heather Green, mezzo-soprano Judith
Barnes, tenors Kurt Alakulppi and Aram Tchobanian, baritones Robert Weintraub
and Peter Clark, bass Andrew Martens, and pianist Lin Li. Puppeteers are
Yoko Myoi, Karen Elizaga, Neimah Djourabchi, Elisa Hevia, Alexis MacNab,
Lyndsay Abromaitis-Smith, Ayako Dean. Performer includes Marina Celander
as Athena. Costumes by Kanako Hiyama, Llighting by Miranda Hardy and Assistant
Design by Kimi Maeda.
Kuruma Ningyo style
The production combines an ancient Greek story in a contemporary musical
setting with set designs and puppetry based on Mr. Lee’s study of
the Hachioji kuruma ningyo style in Japan. The puppeteers will operate puppets
with their hands and feet from small wheeled stools while the words and
music are performed simultaneously offstage. The April 14th and 15th performances
will feature live singers and piano – the following performances will
be performed to a recorded score.
In adapting Sophocles’ play Ajax for his libretto, Mr. Halpern has
focused on humanistic themes that still resonate today: the sufferings of
the common man compelled to fight in a war not of his making; the impermanence
of the human condition, subject to forces that can alter it, for better
or worse, at any time; and the idea that extreme egotism, when thwarted,
can drive an otherwise worthy man like Ajax to madness and then to suicidal
despair, while a man like Odysseus, responding to higher moral guidance,
can curb his ego and act toward those less fortunate than he with empathy
and charity.