| “From the land of crustacean splendor
and dweeby plaid-clad Caucasians … obsessed with applying hard science
to the mundane … come “The Fabulous Giggin’ Bros.”
So wrote Village Voice theatre critic James Hannaham following the Giggin’
Bros. La MaMa debut in 1994. Now, twelve years later, playwright Mike Gorman
returns to The Club with his current troupe “The Forty Hour Club”.
This time, Gorman, and his dedicated band of freaks, apply their absurd
“scientific” method to the timber-framing industry on the
coast of Maine. What they discover through their keen observations of
several “How-To” books, from Bob Villa’s “This
Old House” to “Ty’s Tricks (Home Repair Secrets)”
by Ty Pennington, is a frightening cult that threatens the sanity and
common sense of the modern building world.
Two carpenters—T and G, of “T & G All-Star Construction”—stumble
upon the occult publishing world of “How-To” books as they
read a book called “Stonework (Reflections on Serious Play and Other
Aspects of Country Life) to pass the time on a ferry boat ride from a
remote island to the mainland. Their brutally satirical examination of
the book leads to an exposure of the ridiculous “pseudo-existential”
premise of several other books—“Building on the Past (How
to Build a Timber-Framed House)” and “The Nun’s Penis
(How to Draw the Male Figure and Remain Chaste)”
As the ferry boat churns closer to the mainland a strange and disturbing
alliance of “How-To” Guru’s, including Bob Villa and
Ty Pennington, manifests itself to perform a series of rituals to prevent
T and G from reaching the mainland and spreading their discovery of the
cult to the greater world.
Things come to a desperate climax as the cult leaders resort to Down-East
voodoo to turn T and G’s car into a coffin, trapping the now “possessed”
carpenters inside. As T and gasp for air and claw at the windows, the
timber-framing author achieves a magnificent 16’ timber-framed erection
and the figure-drawing nun achieves a shuddering orgasm after engaging
in sex with a cardboard cut-out of Bob Villa.
It may not be the first time a nun has climaxed on stage, but it is,
as far as the playwright knows, the first time two people have been killed
in a car by a book. This tour-de-force performance of the absurd also
promises one other theatrical first: Manhattan’s first timber-framed
erection.
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