UNIVERSE EXPANDING asks audiences to travel
through space - from vignette to vignette, as they travel through time-
from curtain up to curtain down. Vignettes engage them in thinking about
our relationship to and understanding of science, religion and myth, and
how each of these things, have at times, been the focus of our understanding
of the universe-and our place in it. Science, myth and religion are contrasted
and unified through visual imagery, text, and music. A metal screen serves
as a projection surface. On it a body of water moves gently to the sounds
of chanted Ohms. The audience gathers beneath it. Text delivered live
by the performers begins the narrative of Brahma’s birth. A spot
of light illuminates a clear dome half filled with water: the sleeping
Vishnu, the lotus growing from his navel, Brahma in the lotus petals.
Creation and Time, as Hindu mythology and religion conceives of it, becomes
the textural focus. Brahma, as a small rod puppet, awakens in a giant
lotus.
In another location Eve struggles to reach the apple in the newly-created
Garden of Eden. Below, the apple falls on Newton’s head, who tosses
it aside without hesitation while he conceives Principia. Later, the apple
becomes a garden of giant apples tossed in the air. One lands on suspended
fabric, bending it, much as the sun bends the fabric of space time. Performers
move through these and other vignettes-in-progress on their way to the
next, in full view of the audience; the past catches the present, and
proceeds to the future. Original music composed for the piece by David
Patterson will create a backdrop for the series of vignettes and serve
as a travel theme for audiences in transit.
Jane Catherine Shaw (Creator) has been performing
in and creating works of Puppetry for over 20 years. She has premiered
THE LONE RUNNER and BED OF LIGHT at LaMaMa in previous years. In November
2004, she co-curated the VOICE 4 VISION PUPPET FESTIVAL at Theater For
The New City. She has worked with Lee Breuer as master puppeteer in PETER
AND WENDY and appeared in EPIDOG and ECCO PORCO. She also works frequently
with Theodora Skipitares. She is Puppetry Director and Designer for Lee
Breuer's DOLLHOUSE, which features 36 marionettes controlled by 6 performers.
David Patterson (Composer) has a BFA in classical
guitar, played at the 1996 Olympics Opening Ceremony (Irish), the Jay
Leno Show (rock), and has written original compositions for theater and
film.
Jeff Nash (Lighting Designer) has created
lighting for numerous productions in theater, opera and dance, as well
as exhibit and museum projects, throughout the US, Europe and Asia. As
a member of Inverse Theater Co. he designed recent productions of Midnight
Brainwash Revival, Grace Notes, and Lost. He recently returned from Berlin
where he designed three productions by John Jesurun at the Haus der Berliner
Festspiele, including the premiere of Philoktetes. Other directors/artists
that he has worked with include Ellen Stewart, Frank Corsaro, Stuart Sherman,
John Vaccaro, Robert Wilson, and Gian Carlo Menotti.
Members of the company include Frank Dowd,
who has been doing the voices for all the insects in Maya The Bee for
the past five seasons. He has been seen in the New York premiere of Christopher
Durang’s Death Comes To Us All Mary Agnes and The Misadventures
of Chelsea Clinton. Michael Kelly has been
designing and performing puppetry for over 17 years. Elisa
Hevia received her degree in sculpture from Armando Reveron Institute
Caracas Venezuela. For the past four years, she has been involved in designing
and acting at Naku Puppet Theater. Eva Lansberry
is a performer, designer, and reluctant architect. Alissa
Mello has worked with SkySaver Productions and Theodora Skipitares,
Czechoslovak - American Marionette Theatre, Jane Catherine Shaw and The
Culture Project. Jon Riddleberger
just completed his first year at NYU Tishc's Experimental Theatre Wing
and is greatly awaiting his second year. Sara Roucloux is a singer
and performer who recently become interested in puppetry. This is her
second appearance with Ms Shaw. Priscilla Siregar
is working with Jane Catherine Shaw for the first time. Bethany
Sullivan is a sculpture major at Pratt Institute. This is her first
show, and she plans to get an MFA in puppetry after she graduates.
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