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The
Life and Times of
Lee Harvey Oswald
May 27 – June 13, 2004
First Floor Theater
Thursday – Saturday 8:00pm
Sunday 2:30pm
Conceived and Directed:
Vít Horejš
Choreography: Martha Tornay
Costume Design: Theresa Linnihan |
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Leave
it to the various forms of theater to hold a mirror, as it were, up to the
changing mind of the body politic. In the aftermath of the Iran Contra affair,
Oliver Stone's "J.F.K." portrayed the Kennedy assassination as the action
of a rogue cell in the intelligence services. Following 9/11, "The Life
and Times of Lee Harvey Oswald" by Czechoslovak-American Marionette Theatre
more or less portrays the assassination as a security blunder which could
have been prevented.
The fact that Oswald was allowed to defect to the Soviet Union and come
back, and that he was known to be a troublemaker and allowed to order guns
by mail, should have been enough to alert authorities that he was a threat,
according to the troupe's artistic director, Vit Horejs. That Oswald gave
off so many cautionary signs, but succeeded in accomplishing the assassination,
suggests a component of inevitability that could only be expressed in puppet
theater.
So Horejs takes the main characters, represents them as a peculiar cross
between Greek tragic figures and stock characters from old puppet murder
tales, and portrays them as inexorably approaching the Grassy Knoll through
their lives, guided by fate like marionettes by their strings. A chorus
of FBI, KGB, FOD (Fairies of Destiny), and TV agents warn them in vain to
avoid the path of destruction. Wurlitzer organ, accordion and percussion
score, '60s hits and sound effects comment on the actions and guide the
stringed players through their unavoidable acts.
The story is acted out on the Grassy Knoll, with the Book Depository in
the background. Here the chorus begins recounting the story while moving
and transforming the mobile set from the Book Depository into the Hyannis
Park, the White House, Moscow, Havana, the Offices of the anti-Castro League
in Miami, Dallas International Airport, the Viaduct, etc. A cast of over
50 eight-inch marionettes by Milos Kasal and a dozen dummies for the chorus
by Václav Krcál will interact with eight live performers.
In tribute to the classical origins of its form, "The Life and Times of
Lee Harvey Oswald" is subtitled, "Based on the accomplishments of Lee Harvey
Oswald, Or, How he overcame travails and trybulations visyted upon him by
the ruthless capytalist society and how he turned around his lonely lyfe
only to lose it in the prime of hys fame and succes."
The Oswald puppet by Theresa Linnihan is based on the iconic "hunter of
fascists" photo which Lee's Russian wife, Marina, took of him holding a
rifle and a handgun (later used in Dallas slayings of JFK and Officer Tippit)
in their back yard. The production uses the puppet characters of the traditional
Czech Marionette repertory, for example, the JFK puppet is a knight in shining
armor and Jackie is a noblewoman. Marina Oswald is a young village woman,
Rose Kennedy is a queen, Joseph Kennedy is a king and Castro is a mountain
spirit with a long beard. Robert Kennedy is a musketeer, LBJ is a cook John
Connelly is a cowboy. Hansel & Gretel are used for children while John Jr.
is represented by the "John John collectible doll" from the Danbury Mint
(this doll was deemed "a salute to tackiness" by Steve Dunleavy in the New
York Post).
In the chorus, there are a dozen frightening dummies by Václav Krcál that
are reminiscent of the scary characters in the Pantheon of American Ventriloquism
: Charley McCarthy, Danny O'Day, Jerry Mahoney and Howdy Doody, to name
a few. (Krcál's Haman puppet was a highlight of this troupe's recent production,
"The Historye of Queen Esther, of King Ahasverus & of the Haughty Haman,"
performed at a Temple Beth Israel in Fort Washington, NY.)
The production is conceived and directed by Vit Horejs, who now says the
production is "pretty much from the minds of the company. Lots of it was
created through improvisation." The performance features Deborah Beshaw,
Michelle Beshaw, David Friend, Vit Horejs, Ron Jones, Sarah Lafferty, Theresa
Linnihan, Emily Wilson and Benjamin Caron, who also plays keyboards.
Choreography is by Martha Tornay, Artistic Director of East Village Dance
Project, who most recently choreographed Ccechoslovak American Marionette
Theatre's "The White Doe." Costume design is by Theresa Linnihan, Associate
Director of the troupe, who has designed sets, puppets and costumes for
six of its productions.
Mr. Horejs writes, "When President John F. Kennedy was assassinated in Dallas
in 1963, I was 13 years old and living in Prague. It was Khrushchev's time
in the USSR, but the post-Stalinist thaw was not yet felt in Prague. We
heard consistently from the Communist Press about how US Government was
bringing the World to the brink of World War III through the Bay of Pigs
and the Cuban missile blockade. It was all blamed on the villainous President
Kennedy. With a forthrightness of a 13-year old I felt at first the villainous
imperialist was finally meted out his just punishment. Yet, rather then
celebrating the death of a tyrant, same Communist press and media gave him
a hero's goodbye. It was quite confusing to a 13-year old Czech.
"After 22 years in the United States, I now see some things as an American,
but have no patience for unfounded conspiracy theories and propaganda like
Oliver Stone's movie JFK. I believe that Lee Harvey Oswald killed President
Kennedy; but Oswald is a fascinating character. He lived near Anti-Castro
League offices and was involved with them. As a self-proclaimed Marxist
and one-time defector the Soviet Union with a Russian wife he was monitored
by the FBI. He was corresponding with the Russian consulate and the American
Communist Party offering his services. He dreamed about being a spy, but
neither KGB, Fidel's Cuba, nor American Radicals wanted anything to do with
him. And yet Oswald seems to be a puppet - drawn by strings of destiny to
the Grassy Knoll. With 20-20 hindsight the Kennedy assassination now seems
to have been so preventable. The strings should have been visible to those
in charge of protecting the US president."
The benefit performance on June 3 at 8 pm ($35 minimum donation) will be
followed by a reception at La MaMa's La Galleria, 6 E 1st St. (between Bowery
& 2nd Avenue), featuring Moravian wine, Czech beer and traditional home-made
delicacies. There will be an auction sale of artworks, Bohemian crystal,
books and puppets.
The company's website is www.czechmarionettes.org |
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