Drop Dead…Gorgeous – October 17-November 2

The 2025 Tamar Rogoff Performance Projects Gala will take place at 8PM on Saturday, October 18, at La MaMa Experimental Theater Club, 66 E 4th St. The evening will feature a performance of Drop Dead…Gorgeous, a multimedia dance performance,followed by an evening reception of hors d’oeuvres, desserts, and a selection of wines.

October 17-November 2, 2025

The Downstairs

66 East 4th Street
New York, NY 10003

Tickets:
Adults: $30
Students/Seniors: $25
La MaMa Members: $10

First 10 $10 Tickets (Limit 2 per person)

Ticket prices are inclusive of all fees.

Running time: 70 minutes

See Program
Talkback LineUp:

SUNDAY, OCTOBER 19TH (4PM PERFORMANCE)

DR. JUDITH BRISMAN

SUNDAY, OCTOBER 26TH (4PM PERFORMANCE)

LINDA HAMILTON, Ph.D.

SATURDAY, NOVEMBER 1ST (6PM PERFORMANCE)

CHRYSALIX

 

By Tamar Rogoff Performance Projects

“… a montage that gradually, obliquely closes in on your heart.” — Deborah Jowitt,Village Voice

Visual art above created by Rachel Stires

ABOUT

Tamar Rogoff’s Drop Dead…Gorgeous ushers audiences into the studio of a TV game show that gives the contestants the chance to win their dream body.  As they compete to shed pounds, gain inches, and reverse the aging process, the show’s charismatic yet troubled host offers the audience the opportunity to buy their way to beauty.  This multimedia dance performance explores our culture’s obsession with the one “perfect“ youthful body and the intersection of money, media, and madness that keeps us going to greater, more dangerous lengths to find happiness in the mirror. As Rogoff reached puberty, the perfect ballet body alluded her. Out of those early struggles came her lifelong choreographic approach: body scripting. In Drop Dead…Gorgeous, this approach plucks the contestants from the world of the game and returns them to paradise—their birthright, where all bodies can be experienced as sensual and worthy.

CREDITS

Tamar Rogoff: Writer, Director, & Choreographer
Rachel Stires: Company Manager
Sara Gierc: Assistant Director 
Avi Fox-Rosen: Composer
Philip Trevino:  Lighting Design & Stage Manager
Lianne Arnold: Video and Scenic Design
Nicole Slaven: Costume Design
Gardiner Comfort: Game Master
Shaena Kate: Contestant #1
Gerlanda Di Stefano: Contestant #2
Gina Bonati: Contestant #3
Shachar Langlev: Cinematographer for Greek Chorus Film Shoot
Emily “Emla” La Rochelle and Serazina Joy Stein: Film Shoot Coordinators
Kelly Ryan: Publicist
Harvey Wang: Photographer

CAST

Gina Bonati
Gardiner Comfort
Shaena Kate
Gerlanda Di Stefano

BIO

Tamar Rogoff is a choreographer and filmmaker who explores the outer limits of how people negotiate extreme circumstances. As artistic director of Tamar Rogoff Performance Projects, Rogoff creates inclusive, multidisciplinary, multigenerational, and site-specific performance and film as well as proscenium performance. Rogoff’s subject matter is deeply personal and often autobiographical, but in the vast diversity of her casting, it finds its universality. Rogoff has been presented both nationally and internationally, at the Kennedy Center, the Pompidou Center and the Estonian National Opera, and in venues as accessible as sidewalks and rooftops. The surprising juxtaposition of performers who are new to the stage and seasoned professionals taps into Rogoff’s wish to use the unexpected to spark curiosity and empathy. Rogoff’s choreography has been seen at P.S. 122, St. Mark’s Church, LaMama ETC, Dance Theater Workshop, Lincoln Center Out of Doors, and in venues worldwide.

Rogoff’s documentary Summer in Ivye (2001) screened at The Jewish Film Festival at Lincoln Center and The Hamptons Film Festival. She was a Sundance Institute Documentary Film Fellow where she worked with Daisy Wright on the award-winning feature documentary Enter the Faun (2015), based on an earlier piece of choreography, Diagnosis of a Faun (2009). In the film, Rogoff’s lifelong method, known as Body Scripting, explores release through unorthodox body practices to address protagonist Mozgala’s cerebral palsy. Enter the Faun toured festivals globally–The Sarasota Film Festival, the Margaret Mead Film Festival, Dance on Camera, ReelAbilities Film Festival and the Extraordinary Film Festival in Belgium. It was broadcast on Belgium TV and on PBS America Reframed in 2018 and 2022. Rogoff’s documentary about her dancers during lockdown, A Plague on All Our Houses (2021), screened at NYC Independent and Manhattan Film Festival (both June 2021). Rogoff’s first short, Wonder About Merri, was at Dance on Camera (2019) and won the Most Daring Short at Dare to Dance in Public Film Festival (2019). During Covid she produced a dance-narrative short, The Circles of Avenue C in her Lower East Side neighborhood. She is the founder of the Solar Powered Dance Festival at Solar One.

Rogoff works as a movement coach to actors, including Claire Danes for her Emmy award winning role in Temple Grandin (2010). She was an adjunct teacher at NYU’s Experimental Theater Wing (1995-2010), Her Body Scripting dance lab at LaMama is ongoing.

Rogoff is a recipient of grants from the NEA, NYFA, the NYC Department of Cultural Affairs, Trust for Mutual Understanding, Association of Performing Arts Presenters and the Rockefeller MAP Grant. She is also a Guggenheim fellow.
Rogoff’s choreography will be seen in the soon to be released feature film Thoughts & Prayers.

She is currently working on Drop Dead… Gorgeous, a new piece to premiere at La MaMa in 2025.

Next summer in Sept-Iles, Quebec, Rogoff will collaborate on a film project with Samuel St-Onge, Marie Jomphe-Lemay, and the Enu First Nation community.

 

TALKBACK BIOS:

SUNDAY, OCTOBER 19TH (4PM PERFORMANCE) 

  1. JUDITH BRISMAN was the Founding Director of the Eating Disorder Resource Center for over 35 years. She is co-author of Surviving an Eating Disorder: Strategies for Family and Friends (now in its fourth edition and available at Harper Collins or on Amazon!). She is an associate editor of Contemporary Psychoanalysis and is on the editorial board of the journal Eating Disorders. She is a member of the teaching faculty at the William Alanson White Institute, and she maintains a private practice in New York City. Dr. Brisman is known internationally as among the first in her field to develop a treatment program for bulimic patients. She has published and lectured extensively regarding the interpersonal treatment of eating disorders. 

SATURDAY, OCTOBER 25TH (6PM PERFORMANCE) 

DIANA BYER is the founder and Artistic Director Emerita of New York Theatre Ballet (NYTB) and New York Theatre Ballet School. A former professional dancer, she was a long-time pupil and colleague of Margaret Craske, who was Director of Ballet Instruction at New York Theatre 

Ballet School until her retirement. Byer is a répétiteur for The Antony Tudor Trust, Education Director for the Dance Notation Bureau, and is a member of the Board of Directors of the Little Orchestra Society and Senior Advisor for the Clive Barnes Foundation. She has also served on the Dance Portal Advisory Board of The Children’s Museum of Manhattan and on the Bessie Awards selection committee. She has staged the ballets of Antony Tudor for American Ballet Theatre (ABT) and The Hartt School, and the ballets of Agnes de Mille for the Alabama Ballet and ABT. She also coached the principals for the Columbia Pictures film, Center Stage. In 1988, Byer founded NYTB’s community LIFT program, providing dance classes, scholarships, and services to homeless and at-risk New York City children. Byer has curated panels and performances for Jacob’s Pillow, Tanglewood, the Library for the Performing Arts at Lincoln Center, The National Arts Club and the Cosmopolitan Club. She has received the Helen Wieselberg Award from the National Arts Club, a Humanitarian Hero recognition from Good Housekeeping Magazine for her ongoing work with LIFT, and a Lifetime Achievement Award from the Martha Hill Dance Fund. A feature-length film, documenting Byer’s journey of LIFT was featured at the 2022 Tribeca Festival. 

SUNDAY, OCTOBER 26TH (4PM PERFORMANCE) 

LINDA HAMILTON, Ph.D. is a licensed clinical psychologist in the state of New York, where she specializes in the performing arts. She danced with New York City Ballet (NYCB), while attending both college and graduate school full-time to get her doctorate in Clinical and Research Psychology. Her interest in reducing stress and enhancing performance has led to an extensive body of research and clinical work with different performers—from the film, stage, music and other industries. In addition to her private clinical practice, she is the Wellness Consultant for NYCB and The Ailey School. Dr. Hamilton’s ongoing research into the mental and physical stresses of performance has led to more than 300 presentations, 60 academic and mainstream articles, and three books on the occupational stresses in this arena. She also created a popular monthly advice column for Dance Magazine that is now a video series, and is one of the key designers of NYCB’s wellness program, which has reduced the actual weeks of disability in the Company by 46%. This program is outlined in depth in her book The Dancer’s Way. Her knowledge of eating disorders, especially in dancers, has led to many media interviews, including the highly informative NOVA documentary narrated by Susan

Sarandon “Dying to be Thin.” Dr. Hamilton also has shared her expertise in the entertainment industry in venues, such as CBS’ News Report, ABC’s Good Morning America, The Fox News Channel, National Public Radio, The New York Times, Playbill, New York Magazine, and Backstage, among others. Her work with performers is featured in “A Vision to Heal,” a documentary by European Media Support. 

SATURDAY, NOVEMBER 1ST (6PM PERFORMANCE) 

CHRYSALIX, Bronx-born and Harlem-raised, is a poet, music-maker, and educator whose creative wingspan stretches across genres and generations. As the founder of Butterfly Beautiful, Inc., she transforms personal pain—including the loss of her husband during the pandemic—into art that uplifts, heals, and inspires. Her work is rooted in body positivity and self-acceptance, using the butterfly as a symbol of transformation and resilience. Chrysalix’s music blends pop, R&B, and world rhythms, while her poetry—often featured in multimedia performances—gives voice to stories of survival, identity, and hope. Through her books, live shows, and upcoming podcast, she invites audiences to embrace their own metamorphosis, especially those who have struggled with body image or faced adversity. As a passionate educator, Chrysalix draws inspiration from today’s youth, championing mental wellness through creative expression. Whether on stage or in the classroom, she empowers others to find their voice, believe in their beauty, and soar beyond limitations—one poem, one song, and one butterfly at a time.

Photos by Harvey Wang

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